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近年來，建築話語以“物質誠實”，“形式發現”或“數字物質性”等熟悉的比喻為幌子，重新燃起了對物質性的興趣。部分由于新材料的開發和設計師在制作建築中的日益融合，實踐和學術界近期出版物的激增探索了物質性的實用性及其作為建築形式主角的作用。然而，隨著物質實用主義的精神越來越受歡迎，關于建築的詩意想象的理論繼續消退。與在建築實踐中強調視覺形式設計相比，當建築師“思考物質，夢想在其中，生活在其中，或者換句話說，實現想象”時，就會采用物質想象。作為建築設計中正式方法的替代方案，本書通過對歷史先例，建築實踐，文學資源，哲學分析和日常經驗的考察，挑戰讀者重新思考建築材料的遐想。關注物質作為建築師想象力的前提，每一章都確定並以圖形方式說明物質想象力如何定義建築的概念前提。
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practice, the material imagination is employed when the architect 'thinks matter, dreams in it, lives in it, or, in other words, materializes the imaginary.' As an alternative to a formal approach in architectural design, this book challenges readers to rethink the reverie of materials in architecture through an examination of historical precedent, architectural practice, literary sources, philosophical analyses and everyday experience. Focusing on matter as the premise of an architect's imagination, each chapter identifies and graphically illustrates how material imagination defines the conceptual premises for making architecture.